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The Design of Active Crossovers Douglas Self
Publisher: Focal Press

The A2 differs significantly from the Atom in having a relatively rare sealed cabinet, as opposed to the Atom's rear-ported, bass-reflex design, and an active digital crossover instead of the Atom's passive one. Ported: No ported (B&W has ported box which I dispensed in my design) Crossover: 3-way active crossover. Electronic active crossovers can have extra compensating circuitry. Tweeter will be placed at the top of the box (more precisely half inside and half outside as shown in the figure). At the crossover point More recent design trends are for power to be decreased to -6 dB (1/4) to each loudspeaker at the crossover point, and the slope rate can be selected. I note that you featured an Active Crossover design in the January 2003 issue. I have no problem understanding second order. However, the noise and distortion figures of the crossover would negate the advantages of the Class-A Stereo Amplifier. Hello, I would like to know a design approach to multiple-order crossover for a 3 way speaker system. Crossover Points & Order At the crossover point, power to each loudspeaker is reduced -3 dB (1/2) so total sound energy is 1. The Design of Active Crossovers by Douglas Self F..al Pr | 2011-07-08 | ISBN: 0240817389 | 608 pages | PDF | 10,9 MB The Design of Active Crossovers is a unique guide to the design of hi. In some passive crossovers this is adjusted for by reversing the polarity of adjacent loudspeakers.